Cleeng unveils first-ever free D2C subscription platform that can launch in less than an hour

Cleeng Pro delivers a proven, enterprise-grade technology stack curated for creators, agencies,developers and digital entrepreneurs looking to accelerate fast and with ease

Sneak Preview: Cloud vs. On-Prem vs. Hybrid Workflows: What’s Next? at Streaming Media 2025

On Tuesday, October 7, Eyevinn's Magnus Svensson,will moderate the Streaming Media 2025 panel "Cloud vs. On-Prem vs. Hybrid Workflows: What's Next?" featuring AWS's Matt Herson, Wowza's Barry Owen, TATA's Corey Smith, and Qualabs' Juan Pablo Saibene.

UK and US media voice political interference and self-censorship concerns

The assault on press freedom on both sides of the Atlantic was a major debate topic at the Edinburgh TV Festival, the premier annual event for the UK TV industry. with key figures like "Have I Got News For You" host Roy Wood Jr. and ex-Hollywood Reporter editorial director Matthew Belloni and others weighing in during a panel on "Trump vs. the Media."

Q&A: Leveraging Resonance AI in adtech with digital culture group’s Crystal Foote

In this Q&A with Crystal Foote, founder and head of partnerships at Digital Culture Group, Foote discusses Audience Resonance Index (ARI), "the first AI-platform engineered to predict not just who will engage—but why." We explore how ARI benefits from AI, what ARI measures, what brands ARI is positioned to serve, how ARI safeguards privacy, and more.

When Live Sport Isn’t Live

Low latency is not a nice-to-have. It's the difference between being in the moment and watching it on delay. In sport, the moment is the product.

YouTube streaming continues fast track to distribution domination

According to UK regulator Ofcom in its annual report, YouTube has become the UK's second most-watched media service, behind only the BBC. One in five viewers aged four to 15 years go to the video sharing platform first when they turn on their smart TVs, it found, while older generations aged over 55 are watching nearly twice as much YouTube as they did two years ago.

Jan Ozer Launches Streaming Monetization 101 Course with the Streaming Video Technology Alliance

New online course delivers industry-wide context and real-world fluency for new hires in streaming.

Caretta Research media and telecoms insights: Quick action required as broadcast and streaming revenues converge

Streaming is set to take a significant share of revenue from traditional broadcast and pay TV from 2024 to 2029, but broadcasters can thrive with the right streaming strategy.

Federal Court Dismisses Roku Lawsuit Against Access Advance, Declines to Set Global Patent Pool Pricing

Access Advance LLC today announced that the US District Court for the District of Massachusetts has dismissed a lawsuit filed by Roku Inc. seeking to compel the Court to set a global fair, reasonable and non-discriminatory (FRAND) royalty rate for the HEVC Advance Patent Pool. Judge Richard G. Stearns determined that his Court "lacks jurisdiction to determine" a global FRAND royalty rate, noting that the "US patents constitute only a fraction of a larger portfolio." The Court further concluded that its "opinion on the appropriate royalty rate would merely be advisory", which is prohibited under US law.

Review: Meta's Video Codec Acid Test (VCAT)

Identifying which phones can handle AV1 decode is the goal of Meta's new VCAT testing tool, for Video Codec Acid Test, which is both the brainchild and the swan song of encoding legend David Ronca. In short, VCAT is an Android app for benchmarking battery drain and system health during HW/SW video decode operations on Android devices.

Q&A: TiVo's Chris Kleinschmidt on Glastonbury 2025 and Lean-Back Livestreaming Cultural Events

With Glastonbury 2025 in the books, Streaming Media spoke with TiVo VP EMEA Advertising Sales Chris Kleinschmidt about the streaming lessons learned from the event, in a cultural moment when Gen Z fans say they increasingly regard straightforward first-screen livestreaming experiences as a reasonable substitute for experiencing the live event onsite. 

Deltatre Announces Acquisition of Endeavor Streaming

Deltatre, a leading international provider of streaming, digital, data, and graphics solutions for the sports, media, and entertainment industries, today announced it has entered into a definitive agreement to acquire Endeavor Streaming from Endeavor Group Holdings, Inc. 

Who Owns the Emotion in Sport?

The most powerful moments in sport aren't being broadcast. They're being clipped, remixed, and shared long before the highlights drop.

Creating New CTV Ad Standards

IAB Tech Lab has recently released some new standards for CTV advertising, known as the Ad Format Hero Initiative. The organisation asked and received more than 100 CTV ad format descriptions/concepts from the industry on classifying new formats. Next up, they ran an industry survey (completed 16 April 2025) to determine what should be prioritised. The Ad Format Hero Task Force selected eight formats based on the survey results. The idea is to create standards so that sensibly, engineering and operations teams don't have to reinvent the wheel every time they want to insert the right creative.

Telestream vs. Encoding.com lawsuit goes public with reputations at stake

Telestream, the veteran digital video software and workflow tech provider, is fighting a lawsuit brought by two former employees which may have salutary lessons for company owners planning a sale to private equity. The suit, brought by Greggory Heil and Jeffrey Malkin, co-founders of Encoding.com, against Telestream claims Unpaid acquisition consideration, wrongful termination, fraudulent transfer, and successor liability.

Access Advance Reveals Royalty Rates for Video Streaming Services

In this interview, Jan Ozer speaks with Peter Moller, CEO of Access Advance, and Dylan Zhou, Senior VP of Licensing, about the recently announced royalty structure and initial participants in Access Advance's Video Distribution Patent Pool. The conversation outlines the codecs covered (VP9, AV1, HEVC, VVC), the targeted use cases (video streaming and content distribution), and how the royalty structure is designed to balance fairness and industry adoption.

Q&A: Celebrating Pride Month With Quickplay’s Paul Pastor 

Quickplay Co-Founder Paul Pastor has been using his platform as an out gay executive to advocate for more authentic and positive LGBTQ+ representation and inclusion in the tech world. In this Q&A, Pastor shares how he feels about the progress that's been made in LBTQ+ inclusion, why it's important to be your authentic self at work, what streaming media can do to engage in allyship, and how Quickplay is showing up for LGBTQ+ people, and more.

JustWatch Reveals Streaming Trends for LGBTQ+ Content in the UK During Pride Month

As Pride Month celebrations sweep across the UK, JustWatch - the world's largest streaming guide - has unveiled an annual analysis spotlighting the best streaming platforms for LGBTQ+ films and TV shows in the UK. This year's analysis showcases which services offer the richest selection of queer content, reveals the most-watched LGBTQ+ titles of the year, and examines how queer film and TV production has evolved over time.

DIY Broadcast: How Underrepresented Sports Are Building Their Own Streaming Stacks

That's changing. With automated cameras, cloud production platforms, and AI-driven tools now capable of delivering the full suite of broadcast workflows—from live switching and graphics to clipping, highlights, and distribution—sports that once had no way to show themselves are building their own streaming stacks. They're not waiting to be picked up. They're going live—and taking control.

Netflix makes quietly aggressive aggregation play

Netflix announced at Cannes Lions that it will distribute the channels and on-demand content of French commercial broadcaster TF1 to Netflix members in France, beginning next year. If successful, Netflix will have jumped a start on all its rivals who have so far resisted, or failed to entice, broadcasters anywhere to share their entire schedule and programme output with a third-party streaming platform.