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Q&A: Bango's Giles Tongue Talks Netflix-Warner Bros. and the Future of SVOD Bundling

The increasing likelihood of a Netflix-Warner Bros. alliance inevitably leads one to speculation of how the resulting juggernaut might impact global and regional SVOD markets where superbundles already abound in various forms. In the interest of exploring the possibilities, I spoke with Giles Tongue, VP Marketing at superbundling technology solutions provider Bango about how things might shake out (depending not just on who acquires WarnerBros but what they decided to do with the acquired IP) and how the SVOD scene might tilt on its axis should this merger come to pass.

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Sports Leagues and Broadcasters Must Tailor Engagement Strategies for Gen Z

Free Live Sports president Cathy Rasenberger argues that sports leagues and broadcasters need to adapt to the ways Gen Z viewers consume content—short-form, social, athlete-centric storylines—if they want to engage and retain younger audiences in this discussion with MTech Sport, Media & Entertainment consultant Matt Stagg, Play Anywhere CSO Pete Scott, and Hub Entertainment Research principal Jon Giegengack from Streaming Media Connect 2025.

How Meta Deploys AV1 on Facebook From Reels to Stories to Messenger

As video has taken center stage on Facebook in recent years with the proliferation of Reels and Stories, AV1 deployment has become increasingly central to Meta's video strategy, reports Meta technical program manager Hassene Tmar in this conversation with Streaming Learning Center owner Jan Ozer from Streaming Media Connect 2025. Tmar explains why AV1 now accounts for 70% of video delivered on Facebook, whether VOD or live on Messenger, and why his team has been pushing it for several years now.

Why Streaming Demands a Different End-to-End Workflow From Broadcast

When pre-existing live broadcast operations add streaming for the same events or content, there's a temptation to "bolt on" streaming to the existing workflow and treat it as just another output or destination, but Warner Bros. Discovery distinguished video platform engineer Neal Roberts insists that doing so means sacrificing the streaming end-user experience in this conversation with Alchemy Creations founder and principal Andy Beach at Streaming Media Connect 2025. He says that also means duplicating operator requirements and goes on to discuss comms between streaming and broadcast teams and other best practices for optimising experiences for all viewers regardless of platform.

Where Do Cloud and Remote Production Reduce and Increase Streaming Costs?

The now-familiar narrative of livestreaming in the pandemic tells us that when social distancing compelled streamers to migrate from on-prem to remote production and the cloud, massive cost savings were our reward. But cloud-based streaming also carries hidden costs. NBCU's Paul Kirchberg, Live X's Corey Benkhe, and Sargeway's Sarge Sargent discuss the true costs and savings of cloud and REMI operations and how to avoid the pitfalls in this clip from Streaming Media Connect 2025.

Streaming Media Columns

If Netflix Gets the Library, Can It Take the Stadium?

What the potential Netflix-Warner Bros. deal means for sport. And why it is not simple.

YouTube self-policing isn't working

As deceptive ads, scams, and deepfakes flood YouTube's airwaves, Britain's Liberal Democratic Party argue that YouTube adverts should meet the same rigorous standards applied elsewhere in the ecosystem in which YouTube now operates. Industry bodies Clearcast and Radio Central vet the majority of ads broadcast on TV and radio before the air, while YouTube remains free to regulate itself.

The Long and Short of It: Measuring YouTube on TV

YouTube makes short-form viewing in­creasingly commonplace, measurable, and monetised on CTV, and other channels inevita­bly rush to adopt and repeat the formula, time will tell when "YouTube is the new television" gives way to "Television is the new YouTube."

Talking Localisation

Today, localisation remains a critical budgetary line item for content owners delivering shows to diverse and transnational audiences, and it is probably one whose typical costs have not, until recently, changed considerably in quite some time. The increasingly prevalent use of AI in content localisation, subtitling, and translation promises to change all of that—particularly through the controversial and ethically fraught use of imitative synthetic voices.